{"id":3032,"date":"2022-12-15T12:00:31","date_gmt":"2022-12-15T11:00:31","guid":{"rendered":"https:\/\/warchildhood.org\/ba\/?p=3032"},"modified":"2022-12-17T10:23:47","modified_gmt":"2022-12-17T09:23:47","slug":"performans-yeliz-celebic-u-muzeju-ratnog-djetinjstva","status":"publish","type":"post","link":"https:\/\/warchildhood.org\/ba\/performans-yeliz-celebic-u-muzeju-ratnog-djetinjstva\/","title":{"rendered":"Performans Yeliz \u010celebi\u0107 u Muzeju ratnog djetinjstva"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Posjetioci Muzeja ratnog djetinjstva \u0107e u subotu, 17. decembra od 12 do 19 sati<\/strong> u okviru stalne postavke imati priliku pogledati performans bosansko-turske umjetnice Yeliz \u010celebi\u0107<\/strong> koji istra\u017euje veze izme\u0111u rata, sje\u0107anja, djetinjstva, istrajnosti i nade.<\/span><\/p>\n

\u201cKjabe: Bajke: Merdevine<\/strong>\u201d je performativna instalacija bazirana na sje\u0107anjima umjetnice Yeliz \u010celebi\u0107 vezanim za stepenice iz doma koji je izgubila tokom rata<\/strong>. Performans istra\u017euje povezanost izme\u0111u \u201cBajke o de\u010daku i mesecu\u201d, prve bajke koju je Yeliz kao dijete \u010dula u Vi\u0161egradu, Mita o Sizifu, te litografije\u00a0 M. C. Eschera pod nazivom \u201cRelativnost\u201d (1953) \u010diji centralni element \u010dine \u201cstepenice koje se nikada ne zavr\u0161avaju\u201d i kreiraju svijet u kojem osnovni zakoni fizike ne va\u017ee. Yeliz ina\u010de posve\u0107uje ovaj performans\/instalaciju Bobu Wilsonu.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”3035″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Kjabe: Bajke: Merdevine<\/b><\/h2>\n

\u201cKjabe: Bajke: Merdevine\u201d je performativno-instalacijski projekat baziran na mojim sje\u0107anjima na stepenice iz doma koji smo izgubili tokom rata. Performans istra\u017euje veze izme\u0111u \u201cBajke o de\u010daku i mesecu<\/strong>\u201d, prve bajke koju sam kao dijete slu\u0161ala u Vi\u0161egradu, Mita o Sizifu<\/strong>, te litografije M. C. Eschera pod nazivom \u201cRelativnost<\/strong>\u201d (1953) \u010diji centralni element \u010dine \u201cstepenice koje se nikada ne zavr\u0161avaju\u201d i kreiraju svijet u kojem osnovni zakoni fizike ne va\u017ee.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_single_testimonial testimonial_style=”small_modern” color=”Default” quote=”Kao djetetu mi je na\u0161 podrum u Vi\u0161egradu bio sredi\u0161te svijeta. U njemu su se nalazile tegle ispunjene d\u017eemom od \u0161ljiva, mahune, ulja, bra\u0161no i sli\u010dne stvari \u2013 to je bilo mjesto prepuno boja gdje se najljep\u0161e bilo igrati \u017emire. Do ovog izvanrednog svijeta vodile su upravo stepenice.” name=”Yeliz \u010celebi\u0107” subtitle=”1987.”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]One za mene predstavljaju i otpornost moje nane koja je netom prije na\u0161eg bijega od rata na njima slomila nogu, ali uprkos bolovima nikad nije odustala od hodanja. Mo\u017eda me zbog toga i danas svake stepenice vode\u00a0 do podruma na\u0161e ku\u0107e u koju se nakon rata nikada nismo mogli vratiti.\u00a0<\/span><\/p>\n

\u201cBajka o de\u010daku i mesecu\u201d je prva bajka koju sam \u010dula, i koju sam u na\u0161oj staroj ku\u0107i slu\u0161ala mnogo puta. Pri\u010da govori o djetetu koje je svake ve\u010deri gledalo mjesec i bilo uvjereno da se mo\u017ee popeti na njega. \u010cim bi zaspalo, djetetu je taj mjesec dolazio u san. Ono bi se tada ne\u010dujno izvla\u010dilo kroz otvoreni prozor i tr\u010dalo prema granama dunje, penju\u0107i se u kro\u0161nju. Tek bi s vrha dunje primjetilo da se mjesec ne\u010dujno pomjerio u grane neke druge vo\u0107ke. Svaki put kada bi mu se dijete pribli\u017eilo, mjesec bi se udaljio, i tako bi to trajalo cijele no\u0107i. Kako ka\u017ee pri\u010da: \u201cKao veliki svjetli to\u010dak peo se mjesec uz obronak planine. Izgledalo je kao da ga je neki nevidljivi konj vukao ili na\u0161 de\u010dak tjerao nevidljivim \u0161tapom\u201d. Ali dijete nije \u017eeljelo odustati, i pri\u010du privodi kraju rije\u010dima: \u201cMo\u017eda \u0107u ja uspjeti da zauzdam tog konji\u0107a ili da se popnem na mjesec bez rakete\u201d.\u00a0<\/span><\/p>\n

Ova pri\u010da me podsje\u0107a na pri\u010du o Sizifu iz anti\u010dke gr\u010dke mitologije. Sizif je osu\u0111en da vje\u010dno gura ogromni kamen do najvi\u0161e ta\u010dke planine, ali filozof Camus njegovu sudbinu vidi druga\u010dije: sama \u010dinjenica da \u0107e Sizif iznova gurati kamen uz planinu, uprkos saznanju da \u0107e on opet pasti tek \u0161to ga dogura do vrha, daje vrijednost tom za\u010daranom krugu. Camus zaklju\u010duje da \u201cSizifa trebamo sebi predstaviti kao sretnog. Sama borba da se stigne do vrha dovoljna je da ispuni ljudsko srce\u201d.\u00a0\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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